Yimou Huang is a PhD candidate in Art and Design at the University of Dundee, researching the intersections of Taoist philosophy, material ecology, and ecofeminism in contemporary ceramic practice. Yimou's work explores natural processes of transformation—using clay, ash, and air—to reflect ideas of qi (vital energy) and the interconnectedness of matter and time. Yimou has exhibited in several curated and juried exhibitions in the UK and internationally, including Ceramic Art London (2026), The Old Town Hall Open (2025), and Transient Info – part of The Wrong Biennale. Yimou's practice often involves site-responsive installation and participatory approaches that engage local materials and audiences, making it well aligned with the ethos of the Bonsall Art Trail. For the Bonsall Art Trail 2026, Yimou continues to explore material transformation and ecological balance through ceramic practice. One piece is created by pouring liquid clay over inflated forms such as balloons, allowing natural forces—gravity, air, and time—to shape each surface as the air slowly escapes. This process reflects a Taoist understanding of qi, the vital energy that animates all things, and highlights the fragile relationship between form and emptiness, creation and decay. The resulting sculptures bear traces of collapse, breath, and renewal—an echo of the living landscape of Derbyshire. Installed as a small constellation of ceramic vessels and fragments, Yimou's work invites viewers to consider material as a living participant rather than a passive medium. Through this project, Yimou hopes to open a quiet dialogue between body, clay, and air—between the human gesture and the self-organising vitality of nature. Most of Yimou's works are related to nature—for example, Yimou makes ash glazes using natural wood. Since most of Yimou's pieces are meant to be suspended, Yimou would like to hang them from a large tree if possible. If the exhibition is indoors, Yimou hopes there can be anchor points installed on the ceiling for hanging Yimou's works.
